Ghibli style

LORA

Reprint

Lol

Updated: Sep 8, 2024 11:43 AM

Ghibli

Run311

Trained on stills from Mononoke and Howl's Moving Castle for now V1, kinda waiting for SD3 to drop and for Pony version of that to train V2 with more data, also running out of buzz to train.

ADetailer will help, close ups don't really need it

Tags to use: source_anime, Ghiblistyle, anime coloring

I will appreciate any feedback, suggestions, and buzz tips! Thank you!

Run311

Version Detail

Uploaded

Aug 27, 2024 2:45 AM

Base Model

FLUX.1

Trigger Words

Description

Trained on stills from Mononoke and Howl's Moving Castle for now V1, kinda waiting for SD3 to drop and for Pony version of that to train V2 with more data, also running out of buzz to train. ADetailer will help, close ups don't really need it Tags to use: source_anime, Ghiblistyle, anime coloring I will appreciate any feedback, suggestions, and buzz tips! Thank you!

Project Permissions

Model reprinted from : https://civitai.com/models/433138/ghibli-style-flux-and-pdxl?modelVersionId=755852

Reprinted models are for communication and learning purposes only, not for commercial use. Original authors can contact us to transfer the models through our Discord channel --- #claim-models.

Comments

NobodyButMeow

A rainy night scene in a Japanese urban setting. A man in profile, is looking up in surprise at the looming and towering profile of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Heavy rain is falling and everyone is soaking wet. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic.,

NobodyButMeow

A rainy night scene in a Japanese urban setting. A man in profile, is looking up in surprise at the looming and towering profile of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Heavy rain is falling and everyone is soaking wet. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic.,

This digital artwork, inspired by Japanese anime style, depicts a tense scene in a dark, rainy city alley. A young man with short brown hair, wearing a beige jacket and blue jeans, crouches on a ledge, gazing up at a menacing, large, black, tentacled Venom with a wide, toothy mouth and a long, red tongue. The creature's eyes glow menacingly. Neon signs with Japanese characters illuminate the background, adding a sense of urban decay.

NobodyButMeow

A rainy night scene in a Japanese urban setting. A man in profile, is looking up in surprise at the looming and towering profile of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Heavy rain is falling and everyone is soaking wet. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic.,

ghiblistyle. A rainy night scene in a Japanese urban setting. A man, with short brown hair and light skin sits on a low, on balcony, faces a looming and towering figure of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Moving on the same structure as the man, Venom is leaning down to interact with him. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic. The overall feel is a blend of the fantastical and the mundane, capturing both the menacing presence of Venom and the quiet beauty of a rainy night in Japan. The art style mimics the slightly grainy texture of traditional animation cels.

NobodyButMeow

A rainy night scene in a Japanese urban setting. A man in profile, is looking up in surprise at the looming and towering profile of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Heavy rain is falling and everyone is soaking wet. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic.,

NobodyButMeow

A rainy night scene in a Japanese urban setting. A man in profile, is looking up in surprise at the looming and towering profile of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Heavy rain is falling and everyone is soaking wet. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic.,

NobodyButMeow

A rainy night scene in a Japanese urban setting. A man in profile, is looking up in surprise at the looming and towering profile of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Heavy rain is falling and everyone is soaking wet. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic.,

NobodyButMeow

A rainy night scene in a Japanese urban setting. A man in profile, is looking up in surprise at the looming and towering profile of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Heavy rain is falling and everyone is soaking wet. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic.,

NobodyButMeow

A rainy night scene in a Japanese urban setting. A man in profile, is looking up in surprise at the looming and towering profile of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Heavy rain is falling and everyone is soaking wet. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic.,

NobodyButMeow

A rainy night scene in a Japanese urban setting. A man in profile, is looking up in surprise at the looming and towering profile of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Heavy rain is falling and everyone is soaking wet. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic.,

NobodyButMeow

A rainy night scene in a Japanese urban setting. A man in profile, is looking up in surprise at the looming and towering profile of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Heavy rain is falling and everyone is soaking wet. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic.,

NobodyButMeow

A rainy night scene in a Japanese urban setting. A man in profile, is looking up in surprise at the looming and towering profile of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Heavy rain is falling and everyone is soaking wet. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic.,

NobodyButMeow

A rainy night scene in a Japanese urban setting. A man in profile, is looking up in surprise at the looming and towering profile of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Heavy rain is falling and everyone is soaking wet. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic.,

NobodyButMeow

A rainy night scene in a Japanese urban setting. A man in profile, is looking up in surprise at the looming and towering profile of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Heavy rain is falling and everyone is soaking wet. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic.,

NobodyButMeow

A rainy night scene in a Japanese urban setting. A man in profile, is looking up in surprise at the looming and towering profile of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Heavy rain is falling and everyone is soaking wet. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic.,

NobodyButMeow

A rainy night scene in a Japanese urban setting. A man in profile, is looking up in surprise at the looming and towering profile of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Heavy rain is falling and everyone is soaking wet. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic.,

NobodyButMeow

A rainy night scene in a Japanese urban setting. A man in profile, is looking up in surprise at the looming and towering profile of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Heavy rain is falling and everyone is soaking wet. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic.,

NobodyButMeow

A rainy night scene in a Japanese urban setting. A man in profile, is looking up in surprise at the looming and towering profile of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Heavy rain is falling and everyone is soaking wet. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic.,

NobodyButMeow

A rainy night scene in a Japanese urban setting. A man in profile, is looking up in surprise at the looming and towering profile of Venom who advances on the same structure. The man wears a light beige long-sleeved shirt, blue jeans, and red shoes. Venom is depicted in his classic form: large, black, and muscular with a toothy grin, long red tongue, and white, menacing eyes. Heavy rain is falling and everyone is soaking wet. The background features a dense array of multi-story buildings with glowing windows and Japanese signage. Two vertical signs are prominent in the foreground. One, directly behind the man, is red with gold-colored characters (presumably Kanji). The other, on the lower left edge, is a lighter color with darker vertical text. The scene is filled with dark greens and blues, giving it a nocturnal and slightly melancholic atmosphere. Greenery, like vines and leafy plants, grows on the buildings and the structure where the man sits, contributing to the Ghibli aesthetic.,

Wide angle shot of a female astronaut, dressed in a vibrant orange space uniform, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where the astronaut deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

NowhereManGo

A blonde woman, dressed in a vibrant orange spacesuit, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where David Bowman deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

ghiblistyle. Anime artwork. Overhead shot of a female astronaut, dressed in a vibrant orange space uniform, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where the astronaut deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The astronaut’s expression is focused and determined, echoing the intensity of the moment as she disconnects each part of HAL’s circuitry. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

NowhereManGo

A blonde woman, dressed in a vibrant orange spacesuit, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where David Bowman deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

NowhereManGo

A blonde woman, dressed in a vibrant orange spacesuit, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where David Bowman deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

NowhereManGo

A blonde woman, dressed in a vibrant orange spacesuit, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where David Bowman deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

A detailed digital illustration of a female astronaut in an orange space suit, re-enacting the iconic scene from *2001: A Space Odyssey* where David Bowman disables HAL 9000. The astronaut is floating in the stark, minimalist interior of the spacecraft, carefully removing components from the HAL 9000 panel piece by piece. Her expression is focused and intense, with a determined look in her eyes. The HAL 9000 interface, with its red glowing eye, watches her as she methodically works. The scene is bathed in the soft, cold light of the spacecraft, with shadows adding to the tension and isolation. The overall mood is tense, methodical, and atmospheric, capturing the eerie calm of the original scene. High contrast, cinematic lighting, retro-futuristic design, attention to detail.

NowhereManGo

A blonde woman, dressed in a vibrant orange spacesuit, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where David Bowman deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

Closeup of a female astronaut, dressed in a vibrant orange space uniform, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where David Bowman deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with dim lighting reflecting off the metallic surfaces, capturing the eerie, unsettling atmosphere of the original scene. The astronaut’s expression is focused and determined, echoing the intensity of the moment as she disconnects each part of HAL’s circuitry. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

NowhereManGo

A blonde woman, dressed in a vibrant orange spacesuit, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where David Bowman deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

A female astronaut, dressed in a vibrant orange space uniform, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where David Bowman deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with dim lighting reflecting off the metallic surfaces, capturing the eerie, unsettling atmosphere of the original scene. The astronaut’s expression is focused and determined, echoing the intensity of the moment as she disconnects each part of HAL’s circuitry. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

NowhereManGo

A blonde woman, dressed in a vibrant orange spacesuit, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where David Bowman deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

NowhereManGo

A blonde woman, dressed in a vibrant orange spacesuit, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where David Bowman deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

NowhereManGo

A blonde woman, dressed in a vibrant orange spacesuit, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where David Bowman deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

NowhereManGo

A blonde woman, dressed in a vibrant orange spacesuit, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where David Bowman deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

fuwafuwanime. Overhead shot of a female astronaut, dressed in a vibrant orange space uniform, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where the astronaut deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The astronaut’s expression is focused and determined, echoing the intensity of the moment as she disconnects each part of HAL’s circuitry. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

NowhereManGo

A blonde woman, dressed in a vibrant orange spacesuit, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where David Bowman deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

sketch illustration style. Wide angle shot of a blonde woman, dressed in a vibrant orange space uniform, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where the astronaut deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

NowhereManGo

A blonde woman, dressed in a vibrant orange spacesuit, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where David Bowman deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

1girl, aime, Wide angle shot of a girl, dressed in a vibrant orange space uniform, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where the astronaut deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

NowhereManGo

A blonde woman, dressed in a vibrant orange spacesuit, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where David Bowman deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

NowhereManGo

A blonde woman, dressed in a vibrant orange spacesuit, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where David Bowman deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

NowhereManGo

A blonde woman, dressed in a vibrant orange spacesuit, is carefully re-enacting the iconic scene from 2001: A Space Odyssey where David Bowman deactivates HAL 9000. Floating weightless Inside a sleek, futuristic spacecraft, she methodically removes the components of the HAL 9000 interface, one piece at a time. The setting is tense and sterile, with bright lighting reflecting off the white sterile surfaces, capturing the eerie, unsettling atmosphere of the original scene. The red glow of HAL's eye slowly fades as the scene unfolds, highlighting the dramatic tension between human and machine.

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