In a dimly lit room, the silhouette of an mage-woman A (black-haired | white-red-haired) maiden in a (leather doublet| obsidian-raspberry-ruby robe), high canvas boots with an ornate emerald-gold strap looks into a hologram, which is shown by a modernized web-like picture tube on her left glove) casts a wind spell a winding river and looms over a (pearl-white | mother-of-pearl | colorful) sheet of (paper | wood |pearls and stones) with intertwined (fluorescent | (proton laser) optics) shoots that, like a haze, one after another in the order of golden harmony and section follow the entire perimeter connecting into amazing patterns of different wonderful shapes and shades), an otherworldly presence as they wield a brush dipped in (black ink | warm colors ink | cold colors ink). With an almost hypnotic grace, the mage-woman begins to draw a sign of a winding river, its serpentine path diverging into intricate tributaries that weave through the canvas like veins of imagination. Each stroke pulses with life, hinting at the power of creation and the shadows that lurk within. As the river flows, mesmerizing scenes emerge from the depths of the ink. A majestic Asari-adept from the game Mass Effect rests by a tranquil waterfall, its gaze piercing and enigmatic. Nearby, a steadfast quarian-*Newfoundland* dog ( dog's body transparent and shimmering with silhouettes of delightful magical colours, full of ethereal currents with smoky delightful patterned structures of mist, stars and constellations, the dog looks on with a wise gaze) kneels before a regal queen, the tension in the air palpable, as if time itself holds its breath. In the distance, a spaceship soars toward. (Side view of the portrait in the style of Mass Effect + Alex Grey + Alphonse Mucha, Jordan Grimmer + Celtic vine 3D art + Byzantine style: 1.3) (8k resolution, voluminous light, Scandinavian style + ancient typography, Nordic style : 1.4)
