A dissonant dreamscape unfolds in triple-exposure glory. In the foreground, a glitched portrait of Rosa Menkman's distorted face is superimposed onto Phillip Stearns' eerie cityscape at dusk. Sabato Visconti's abstract shapes blend with Nam June Paik's circuitry patterns, as JODI's digital distortions warp and bend the image. Nick Briz's fragmented silhouettes converge in a wet-on-wet impasto oil painting, thick brush strokes swirling in exaggerated contrast colors. The overall effect is a moody, grainy close-up of surreal chaos.

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