In this fire and ice scene, in the style of H. R. Giger, a dramatically lit realistic scene, one facial symmetrical close-up view of a large evil apocalyptic horned owl, with a wide-open mouth, and head-on, screaming at the camera. The camera is engulfed in perfectly symmetrical sonoluminescent sound waves. It is rich in color, realistic in composition, and dynamic in focus and symmetry, with sharp corners and needles throughout.
